ElectricStaplernewbie
33 posts
Location: Go


Posted:
Can you identify the move at 49 seconds and tell me how to do it its been frustrating me for 3 weeks now. there are also some others im confused about but ill talk about them later if necessary




Also while im at it, how do you do these isolations? Im not sure about the entry or staying in it. Its at 1:34


Life is a box full of chocolates. Its full of the gross coconut ones.


UCOFSILVER Member
..lonely.
15,416 posts
Location: South Wales


Posted:
First one are wall plane isolations (isolations spun in front of you)

Second one is an isolated 3 beat weave.
Do a 3 beat, then Isolate it. Thats the only way to describe it really.

ubbrollsmile

Red_RaveNGOLD Member
Neo - Hippie
358 posts
Location: Sala, Slovakia


Posted:
Dude, the 1st one looks like an isolated lockout - front plane like a butterfly only both poi in same direction.

The 2nd one. Im actually trying to do those right now aand its hard smile try learning to isolate a simple side plane split time spin and also a crossed arms spin. Keep in mind to change hands there - train L up R down and also R up L down. Eventually you should make it..

I got it through an half inverted weave but that is yet a completely different and probably much harder move.. smile

Hope I helped..

Smile.. It confuses people..:)

Wonders never cease as long as you never cease to wonder.


ElectricStaplernewbie
33 posts
Location: Go


Posted:
I thought they were some sort of isolation, but the cord looks rigid, id like to know how to do that, it makes no sense

Life is a box full of chocolates. Its full of the gross coconut ones.


DurbsBRONZE Member
Classically British
5,688 posts
Location: Epsom, Surrey, England


Posted:
In a good isolation - the cord will look rigid smile
That's what makes them cool biggrin

Burner of Toast
Spinner of poi
Slacker of enormous magnitude


ElectricStaplernewbie
33 posts
Location: Go


Posted:
I got it now, just not the second.

Life is a box full of chocolates. Its full of the gross coconut ones.


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