Forums > Videos > Drews Poi and Stick Video Blog

Well, shall we go?
Yes, let's go.
[They do not move.]

Oh and Drew, I still really want to buy a t-shirt with her on it:




Non-Https Image Link




I think your sister would make big money if she sold them on cafe press or something.



But I'm no business man. I'm just sayin'.



At least compliment her the next time you see her.

Well, shall we go?
Yes, let's go.
[They do not move.]

The jedi juggling is very silly Mr Coleman, and you're a very silly boy.

On to more serious matters. This is quite lengthy, but worth a watch. I am torn between extreme anticipation for, and dread that my life will be consumed by...

the best video game ever?

"I believe the cost of life is Death and we will all pay that in full. Everything else should be a gift. We paid the cover charge of life, we were born."

Bill Hicks, February 1988

Mice always do that.



That's why there cute!

If they didn't smell like mice I think I'd have some of my own.

Well, shall we go?
Yes, let's go.
[They do not move.]

 Written by: maus


...but then again i also don't run in wheels and look as cute...



only because you don't have your own wheel yet...


cole. x

"i see you at 'dis cafe.
i come to 'dis cafe quite a lot myself.
they do porridge."
- tim westwood

Oh good. Cuz I don't want one but I definitely want someone else to have one.

Well, shall we go?
Yes, let's go.
[They do not move.]

Cole, that rocks... nice one... and thanks Drew

Getting to the other side

erm drew...that'd be pairs.. not ice dance

and the whippy thing is called a headbanger

kyrian: I've felt your finger connect with me many times
lou kitten: sneaky little meatball..
ezz: please corrupt me more

Because ActiveAngel sounds like a feminine deodorant

Like sex, I'm much more interesting in real life than online.

'Be the change you want to see in the world around you' - Ghandi

Good find, LA .. I hope there's more vids of that.

Peace,
- Sui

Definition of poi- A Hawaiian food made from the tuber of the taro that is cooked, pounded to a paste, and fermented.

Ahnold discussing poi - "It is naht a toober!"

greg kennedy (juggling in a cone man from a page or so back) has released a few more of his videos onto the net (and plans to upload one a week for a little while!).

but i'm gonna stop clogging up drew's poi and stick blog with juggling videos and go back to posting them in the other toys thread from now on

i saw some full-on girl manipulation the other day and it rocked - plus i know the girl who was being manipulated


cole. x

"i see you at 'dis cafe.
i come to 'dis cafe quite a lot myself.
they do porridge."
- tim westwood

that boy's a whole lot more than pretty fly.


cole. x

"i see you at 'dis cafe.
i come to 'dis cafe quite a lot myself.
they do porridge."
- tim westwood

I the club manipulation!

Because ActiveAngel sounds like a feminine deodorant

Like sex, I'm much more interesting in real life than online.

'Be the change you want to see in the world around you' - Ghandi

Proudly Owned By The BMVC

Are You Sniffing My Mitten?

Jugglers should try to work in some synchronized step team moves. That would be hot.



If I had university to do all over again, I would totally join this sorority.



Oh and...



Yo, let's all dress up like Lil' John and do a crazy 8 minute step routine.



C'mon Cole, get on that...



5(with stomp) 5(with stomp) 5(with stomp) (*clap) (*clap)

3(with stomp) 3(with stomp) 3(with stomp) 5(shuffle stomp) 5(shuffle stomp) 5(shuffle stomp) (*clap) (*clap) [catch] [catch] [catch] (pelvic thrust) (stomp) (stomp)



OK, my sideswap needs work.



And if you're still craving step routines, Jersey Girls are in the house.



And you can complete the series with Albany.

Well, shall we go?
Yes, let's go.
[They do not move.]

word - and its been done, kinda...



jay gillgan to the rescue



all below material pilfered from jay gilligan's blog - check it out at www.buildingweight.com



 Written by: jay gilligan



The Flying Wallendas Family IJA 2005 Script



Each beat of the music is written out below. Following each beat of music is a symbol-

�#� means throw on that beat,

�*� means walk on that beat,

�@� means catch all props and stop juggling on that beat.





All patterns are in cascade unless otherwise noted. When there are two beats in a row with the �#� throw symbol, you will catch the first throw at the same time you throw the second throw. This just means you are juggling on beat and the beat is in your hand, not in the peak of the ball. So when you have not been juggling and you throw on beat 1 of a phrase, you are obviously not marking the beat in your hand as there is only a ball leaving your hand and not one coming down since it is the first ball to start the pattern.





Then, just to make things more fun, the �*� symbol for the step means the foot lands on that beat. It does not move on that beat but instead hits the floor on that beat. So for example if after the first 1 in a phrase of 8 counts, I have to step on count 1 and I have not been stepping before that, I have to move my foot on the music count �and�, which is a half beat before count 1, so that my foot can hit the floor on the actual count 1. this means that if you move your foot on count one, it will be late when it comes down.





I have made this difference between feet and hands because it was the most natural way to move with the music. Don�t stress out about it and do your best and breathe and have fun!





The �@� symbol means that you do not throw on that beat, only catch on that beat. This means that if I want to juggle inside of 8 counts of music, I only do 7 throws so that the last catch is the last beat. Obviously if I would do 8 throws then I would catch the last ball on the 1 of the next phrase of 8.





Nothing after a number in the beats below means that you do� nothing.





The starting formation on the stage for the piece shall be a straight line with the performers facing the audience and running stage right and left. We will be lined up in order of height and not in order according to our part in the script. This means people who have the same part in the script will be spread out around the stage so you can�t rely on your friend to tell you what comes next! At the start of the piece we all take steps to get into the line. This is simply accomplished in rehearsals by first forming the line, then looking at your part of the script to see how many steps you have to take at the start. Then you take that many number of steps out of line in a random direction. In this way we can all be randomly placed on stage and over the course of the first 8 counts of 8 we can come into an orderly line ON BEAT.





Time has been built into the script for you to change props when needed.





jay then goes on to list the full script for his part of the routine



you can find it on his blog if you really want to see it





cole. x

"i see you at 'dis cafe.
i come to 'dis cafe quite a lot myself.
they do porridge."
- tim westwood

Well, shall we go?
Yes, let's go.
[They do not move.]

I like Languages.

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