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artnonstopmember
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«Flight of the  Integral"» based on a novel of russian writer Zamyatin "WE"1920 year.

Dramatic framework for the show was not chosen by chance. Indeed, despite the fact that this fantastic saga was created nearly a century ago, the problems raised in this work are relevant to the present day. The fighting  between mechanical and living, rationality and sensuality, emotions and dry at terns of world corporations are particularly relevant now, in the century of technological development of mankind. We offer adapted for theater and circus staging "Flight of the integral"- performance, based on  the novel of E.I . Zamyatin“ We". The basic idea of ​​all shows made by  “Circus of fire” – is a reflection of the latest trends in show programs and ideas, that`s is why the show "Flight of the  Integral" includes  only  best, relevant and important trends.

Full version Time: 1 hour 20 min in 2 part.
Person: 40
Fire show Pyrotechnic show Fire effects and use of gas Three-dimensional fluorescent design Aerial acrobatics(tumbling) Juggling Magic and Illusion Power tumbling(acrobatics) Stilts performers
Jumpers Monotsiklist Laser show Laser Man Show Contemporary choreography (modern) Free callisthenics Step Neon show Break dance Mime Show holograms

The premiere of a part of show in a festival format has taken place on June, 4th, 2011 on «II Universal carnival of fire» in Moscow, in a fortress of "Setun". Show «integral Flight» has won a nomination «Complexity of the organization of command work» and has received the Memorable figurine and the reading and writing. Some photos and video from performance.

The description of the show and novel
Characters: "D" - D-503 - a builder and engineer of  "Integral" "O" - O-90 - a lyrical character, hopelessly in love with the "D" "I» - I-330 – a woman, rebel, revolutionist. "P» - p poet who wrote about the Benefactor (head of state) blasphemous poems Keepers - police MEPHI - plotters, helpers of  "I" Numbers- the inhabitants of the state.

Short description:
In the twenty-sixth century, in Zamyatin's vision of it, the inhabitants of Utopia have so completely lost their individuality as to be known only by numbers. They live in glass houses (this was written before television was invented), which enables the political police, known as the "Guardians", to supervise them more easily. They all wear identical uniforms, and a human being is commonly referred to either as "a number" or "a unif" (uniform). They live on synthetic food, and their usual recreation is to march in fours while the anthem of the Single State is played through loudspeakers. At stated intervals they are allowed for one hour  to lower the curtains round their glass apartments. The Single State is ruled over by a personage known as The Benefactor, who is annually re-elected by the entire population, the vote being always unanimous. The guiding principle of the State is that happiness and freedom are imcompatible. In the Garden of Eden man was happy, but in his folly he demanded freedom and was driven out into the wilderness. Now the Single State has restored his happiness by removing his freedom.


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